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CD Optical Storage Glossary of Computer Terms (Letter S)

Scanning
The most common practice of encoding real images into digital form Accomplished by use of a scanner which passes an image sensor across the original

Screen grabs
Common term for the capturing screen rasterization images and video stills to digital files. Can be preformed with software or hardware, but quality may vary between method used.

SCSI
Small Computer System Interface. The abbreviation is pronounced “scuzzy.” A connection that allows high-speed information transfer between the computer and any external devices at speeds in the range of 4 to 5 megabytes per second. This specification also allows multiple devices to be connected via addresses to a single port (receptacle).

SCSI-II
A specification developed to provide greater speed and performance. An SCSI-II connection provides transfer rates ranging from 10 to 40 megabytes per second.

Selection

The term for indicating the desired area to be effected by editing.

Sharpen
To increase contrast along object edges to improve image appearance.

SIMM
Single In-line Memory Module. A small narrow circuit board containing Random Access Memory Chips (the electronic devices that store data while your computer works with it). SIMMs plug into special slots inside the computer to give the computer extra memory.

Special effects
Digital image manipulation techniques for enhancing quality or creating unusual appearances. Can also be used to remove undesirable image attributes.

Spray
To paint with a diffused edge to simulate “air-brush” feathering

Storyboard
A method of planning the content of a presentation by drawing sketches of each screen with notes about what happens in that scene.

Substitution
the process of replacing colors in a image with colors or patterns on the pallet for the image. this is implemented during color format conversion and pallet correction

SyQuest
A manufacturer of SCSI removable cartridge hard drives. This drive specification has been widely used in pre-press and publishing situations.

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CD Optical Storage Glossary of Computer Terms (Letter R)

Resampling
The practice of interpolating an image of one specification and producing an image of another specification from that interpolation.

Resolution
Defines image quality of a display. It refers to the number of pixels available on a display. Resolution controls the level of detail that can be presented on a screen.

Retouch
Digital image editing processes used to restore damaged photographs for reproduction

RLE
Run-Length Encoding: a data compression technique that records repeated data elements with the same value, which is coded once along with a count of the number of times it occurs.

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Data loss reasons and recovery solution in Macintosh operating system

Mac File RecoveryMacintosh is considered to be most important and complicated operating system developed by Apple Inc. This is one of the modern operating systems facilitating its users with all the advanced features.

Local File systems used by this operating system are UFS (Unix File System), UDF (Universal Disk Format), HFS (Hierarchical File System) and HFS + (Hierarchal File System+). These file systems are based on some of the enhanced features for the management of tasks to be performed by operating system and ultimately providing ease to the Mac user.

This Apple Mac OS is prone to too much damages, although it is designed keeping in mind all its major aspects of security. Mac file system suffers from many physical and logical damages due to fire, flood, power surges, virus attack and human error. They affect the normal working of operating system.

In most of the scenarios damage to operating systems result in loss of some of the important files and folders. It creates great panic and frustration for the user.  Other major issues which lead Mac OS to data loss situation are listed below:

One of the major parts in data loss is played by some viruses, which attack directly at low level of the file system and duplicate all the content saved in the data files. In addition, it disturbs the whole working of the operating system.
If machine was not properly shutdown then some of the data files might be deleted and inaccessible.
Some of physical damages caused by fire, water and moisture exposure damage not only the system but also most of the data files, which can only be recovered by data recovery specialist.
Mac OS does not work when volume header is corrupted.
Corruption of partition table.
Failed master directory block does not initiate certain files from being opened.

Some of the logical faults can be overcome using efficient and best data recovery software. Data lost from physically damaged systems needs to be recovered from a professional data recovery service provider.

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CD Optical Storage Glossary of Computer Terms (Letter P)

Paint
to apply color or gradient to an area of an image

Palette
A group of selected colors used by a graphics board. The EGA board uses a palette of 16 colors. VGA boards in some resolutions provide a palette of 256 colors.

PCI Local Bus
The Peripheral Component Interconnect (PCI) local bus

PCMCIA
Personal Computer Memory Card International Association. PCMCIA is becoming the link between desktop and notebook computing for data transfer and storage. PCMCIA slots perform the same functions as expansion slots on PC compatibles.

Photo CD
Generic term used to refer to Digital images on compact disc (see Kodak Photo CD)

Pixel
Picture Element. The smallest element of a screen represented as a point of specific color and intensity level.

Platform
The hardware and operating system that applications are run on

Premastering
In CD-ROM distribution, the process of preparing the data to be placed on the CD-ROM so that is optimally fits the CD-ROM format and limitations.

Primary color
In a tri-stimulus color video system, one of the three colors mixed to produce an image. In additive color systems, the primary colors are red, green, and blue. In subtractive color systems, the primaries are cyan, magenta, and yellow.

Production

In video refers to the process of creating programs. In more specific usage, production is the process of getting original video onto tape or film and ready for post- production.

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CD Optical Storage Glossary of Computer Terms (Letter O)

ODBO
bject Database. A database that can handle diverse and complex data including video images, audio, bit maps, graphics and unstructured text.

Opacity
Term used to describe the amount an editing technique effects a given area of an image. Opacity in commonly expressed in percentages an can be used to simulate watercolor wash or in sequence segments to fade or dissolve

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Data encoding schemes

Magnetic storage is essentially an analog medium. The data a PC stores on it, however, is digital information that is, 1s and 0s. When the drive sends digital information to a magnetic recording head, the head creates magnetic domains on the storage medium with specific polarities corresponding to the positive and negative voltages the drive applies to the head. The flux reversals form the boundaries between the areas of positive and negative polarity that the drive controller uses to encode the digital data onto the analog medium. During a read operation, each flux reversal the drive detects generates a positive or negative pulse that the device uses to reconstruct the original binary data.

To optimize the placement of flux transitions during magnetic storage, the drive passes the raw digital input data through a device called an encoder/decoder (endec), which converts the raw binary information to a waveform designed to optimally place the flux transitions (pulses) on the media. During a read operation, the endec reverses the process and decodes the pulse train back into the original binary data. Over the years, several schemes for encoding data in this manner have been developed; some are better or more efficient than others, which you see later in this section.

Other descriptions of the data encoding process might be much simpler, but they omit the facts that make some of the issues related to hard drive reliability so critical namely, timing. Engineers and designers are constantly pushing the envelope to stuff more and more bits of information into the limited quantity of magnetic flux reversals per inch. What they’ve come up with, essentially, is a design in which the bits of information are decoded not only from the presence or absence of flux reversals, but from the timing between them. The more accurately they can time the reversals, the more information that can be encoded (and subsequently decoded) from that timing information.

In any form of binary signaling, the use of timing is significant. When interpreting a read or write waveform, the timing of each voltage transition event is critical. Timing is what defines a particular bit or transition cell that is, the time window within which the drive is either writing or reading a transition. If the timing is off, a given voltage transition might be recognized at the wrong time as being in a different cell, which would throw the conversion or encoding off, resulting in bits being missed, added, or misinterpreted. To ensure that the timing is precise, the transmitting and receiving devices must be in perfect synchronization. For example, if recording a 0 is done by placing no transition on the disk for a given time period or cell, imagine recording ten 0 bits in a row you would have a long period of ten time periods or cells with no transitions.

Imagine now that the clock on the encoder was slightly off time while reading data as compared to when it was originally written. If it were fast, the encoder might think that during this long stretch of 10 cells with no transitions, only 9 cells had actually elapsed. Or if it were slow, it might think that 11 cells had elapsed instead. In either case, this would result in a read error, meaning the bits that were originally written would not be read as being the same. To prevent timing errors in drive encoding/decoding, perfect synchronization is necessary between the reading and writing processes. This synchronization often is accomplished by adding a separate timing signal, called a clock signal, to the transmission between the two devices. The clock and data signals also can be combined and transmitted as a single signal. Most magnetic data encoding schemes use this type of combination of clock and data signals.

Adding a clock signal to the data ensures that the communicating devices can accurately interpret the individual bit cells. Each bit cell is bounded by two other cells containing the clock transitions. By sending clock information along with the data, the clocks remain in sync, even if the medium contains a long string of identical 0 bits. Unfortunately, the transition cells used solely for timing take up space on the medium that could otherwise be used for data.

Because the number of flux transitions a drive can record in a given space on a particular medium is limited by the physical nature or density of the medium and the head technology, drive engineers have developed various ways of encoding the data by using a minimum number of flux reversals (taking into consideration the fact that some flux reversals used solely for clocking are required). Signal encoding enables the system to make the maximum use of a given drive hardware technology.

Although various encoding schemes have been tried, only a few are popular today. Over the years, these three basic types have been the most popular:

  • Frequency Modulation
  • Modified Frequency Modulation
  • Run Length Limited

FM Encoding
One of the earliest techniques for encoding data for magnetic storage is called Frequency Modulation encoding. This encoding schemesometimes called Single-Density encodingwas used in the earliest floppy disk drives installed in PC systems. The original Osborne portable computer, for example, used these Single-Density floppy disk drives, which stored about 80KB of data on a single disk. Although it was popular until the late 1970s, FM encoding is no longer used.

MFM Encoding
Modified Frequency Modulation encoding was devised to reduce the number of flux reversals used in the original FM encoding scheme and, therefore, to pack more data onto the disk. MFM encoding minimizes the use of clock transitions, leaving more room for the data. It records clock transitions only when a stored 0 bit is preceded by another 0 bit; in all other cases, a clock transition is not required. Because MFM minimizes the use of clock transitions, it can double the clock frequency used by FM encoding, enabling it to store twice as many data bits in the same number of flux transitions.

Because MFM encoding writes twice as many data bits by using the same number of flux reversals as FM, the clock speed of the data is doubled and the drive actually sees the same number of total flux reversals as with FM. This means a drive using MFM encoding reads and writes data at twice the speed of FM, even though the drive sees the flux reversals arriving at the same frequency as in FM.

Because it is twice as efficient as FM encoding, MFM encoding also has been called Double-Density recording. MFM is used in virtually all PC floppy disk drives today and was used in nearly all PC hard disks for a number of years. Today, virtually all hard disks use variations of RLL encoding, which provides even greater efficiency than MFM.

MFM Data-to-Flux Transition Encoding

RLL Encoding
Today’s most popular encoding scheme for hard disks, called Run Length Limited, packs up to twice the information on a given disk than MFM does and three times as much information as FM. In RLL encoding, the drive combines groups of bits into a unit to generate specific patterns of flux reversals. By combining the clock and data signals in these patterns, the clock rate can be further increased while maintaining the same basic distance between the flux transitions on the storage medium.

IBM invented RLL encoding and first used the method in many of its mainframe disk drives. During the late 1980s, the PC hard disk industry began using RLL encoding schemes to increase the storage capabilities of PC hard disks. Today, virtually every drive on the market uses some form of RLL encoding.

Instead of encoding a single bit, RLL typically encodes a group of data bits at a time. The term Run Length Limited is derived from the two primary specifications of these codes, which are the minimum number (the run length) and maximum number (the run limit) of transition cells allowed between two actual flux transitions. Several variations of the scheme are achieved by changing the length and limit parameters, but only two have achieved any real popularity: RLL 2,7 and RLL 1,7.

You can even express FM and MFM encoding as a form of RLL. FM can be called RLL 0,1 because as few as zero and as many as one transition cells separate two flux transitions. MFM can be called RLL 1,3 because as few as one and as many as three transition cells separate two flux transitions. (Although these codes can be expressed as variations of RLL form, it is not common to do so.)

RLL 2,7 was initially the most popular RLL variation because it offers a high-density ratio with a transition detection window that is the same relative size as that in MFM. This method provides high storage density and fairly good reliability. In very high-capacity drives, however, RLL 2,7 did not prove to be reliable enough. Most of today’s highest capacity drives use RLL 1,7 encoding, which offers a density ratio 1.27 times that of MFM and a larger transition detection window relative to MFM. Because of the larger relative timing window or cell size within which a transition can be detected, RLL 1,7 is a more forgiving and more reliable code, which is important when media and head technology are being pushed to their limits.

Another little-used RLL variation called RLL 3,9sometimes also called Advanced RLL (ARLL)allows an even higher density ratio than RLL 2,7. Unfortunately, reliability suffered too greatly under the RLL 3,9 scheme; the method was used by only a few now-obsolete controllers and has all but disappeared.

Understanding how RLL codes work is difficult without looking at an example. Within a given RLL variation, such as RLL 2,7 or 1,7, you can construct many flux transition encoding tables to demonstrate how particular groups of bits are encoded into flux transitions.
In the conversion table, specific groups of data that are 2, 3, and 4 bits long are translated into strings of flux transitions 4, 6, and 8 transition cells long, respectively. The selected transitions for a particular bit sequence are designed to ensure that flux transitions do not occur too closely together or too far apart.

Table 8.3. RLL 2,7 Data-to-Flux Transition Encoding

Limiting how close two flux transitions can be is necessary because of the fixed resolution capabilities of the head and storage medium. Limiting how far apart two flux transitions can be ensures that the clocks in the devices remain in sync.

You might think that encoding a byte value such as 00000001b would be impossible because no combinations of data bit groups fit this byte. Encoding this type of byte is not a problem, however, because the controller does not transmit individual bytes; instead, the controller sends whole sectors, making encoding such a byte possible by including some of the bits in the following byte. The only real problem occurs in the last byte of a sector if additional bits are necessary to complete the final group sequence. In these cases, the endec in the controller adds excess bits to the end of the last byte. These excess bits are then truncated during any reads so the controller always decodes the last byte correctly

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CD Optical Storage Glossary of Computer Terms (Letter M)

Magenta
The color obtained by mixing equal intensities of red and blue light. It is also the correct name for the subtractive primary color usually called red.

Magneto-optical
See CD-WREM.

Mastering
A real time process in which videotaped materials are used to create a master optical disk that can be replicated into final videodiscs or CD-ROM disks for operation with desktop computers. Usually performed by an outside specialty shop.

Media
Specific means of artistic communication including forms such as film, art, voice, music, sounds, text, programming etc.

MIDI
Musical Instrument Digital Interface. It is a series of digital bus standards for interfacing of digital musical instruments with computers.

Morph
The special effect merging object attributes from multiple images into composite views

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CD Optical Storage Glossary of Computer Terms (Letter K)

KBPS
Kilobits Per Second. A measure of transmission rate in thousands of bits per second commonly referred to as baud rate. Communication channels using telephone modems are established at set bit rates, 300, 1200, 2400, 4800, 9600, 14400 respectively. (example 14.4kbps)

Kodak Photo CD
A proprietary asymmetric image recording format developed by Eastman Kodak Company and introduced in 1992. The content of the CD disc is composed of nearly 100 24bit images 3000pixel in a multisession configuration. The KODAK Photo CD is considered a milestone in imaging development.

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How to archive digital images for future use?

Archive ImagesDigital images should be treated like any other important computer files: they should be archived and kept in a safe place. Most computers have built-in optical drives for burning compact discs and DVDs, both of which are reasonable archiving media. If you use optical discs for archiving, consider making two sets of backups—one for your home, and another to be kept in a remote location—just in case one set gets damaged.

Another archiving approach, and one that is easier to manage than using optical media, is to save your pictures to external hard drives. The advantages of external drives over optical media are that they have greater capacity (250 GB and upward), have faster read/write times, and are easier to catalog.

If you really want to cover all the bases, back up your images onto two external hard drives and store them in different locations—one at home and another at the office. That way, not only are you protected if one drive fails, as hard drives sometimes do, but you also don’t have to worry about losing your pictures if there is fire or water damage at one of the locations.

Some photographers like to use external hard drives for backing up at home, then save their most valuable images to optical media for storage at a remote location. This hybrid system strikes a good balance between convenience and reliability. And for the super fastidious (this is my category), think about a system that uses two sets of external hard drives in separate locations, plus one set of optical media in a third place. Does it sound a little over the top? Well, how important are your pictures to you?

Regardless of which media you use, when preparing to back up your photos, take a few minutes to figure out how you want to organize the files before you copy them to your backup media. Since digital cameras usually assign names such as IMG_3298.JPG to your pictures, you won’t be able to go back and find those Paris shots by reading the filenames. Yet, you’re probably not going to want to rename each picture individually, either.

Instead, give a descriptive name to the folder that contains images of a like kind, such as Paris Trip 2002. You can always browse the contents of the folder with an image browser once you’re in the general vicinity.

No matter which method you embrace, the important thing is to have an orderly system and a regular backup routine. You already know how frustrating it is to look for an old picture buried in a shoebox deep within your closet. Consider digital photography your second chance in life, and take advantage of your computer’s ability to store and retrieve information.

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